MELODY MAKER: STEVE LAMACQ'S BOOTLEG SESSION VOLUME 3 (1999)

1. King Of Snake (Barking Mix) - Underworld

The only Underworld track to share a co-writing credit with Giorgio Moroder, thanks to its interpolation of Donna Summer's I Feel Love, King Of Snake was edited down from its full 9 and a half minute length from the Beaucoup Fish album into two separate single mixes,the Straight (Mate) Mix and this one. The third single from the album, it reached #17 in 1999. The title of the remix, a play on words referencing an insane state of mind and the place in Essex, was resurrected in 2010 for Underworld's most recent album - Barking.


2. Caught By The Fuzz - Supergrass

Exclusive version recorded for Lamacq's Evening Session in April 1999. The fact that this was recorded five years after its original release, whilst in the throws of promoting their third album, was testament to the song's enduring appeal. Caught By The Fuzz was released as Supergrass' first limited edition single on Backbeat Records in 1993 and released as their first single proper a year later. Despite narrowly missing a Top 40 place, the track became a modern day classic and helped turn debut album I Should Coco into a million seller.


3. Pyromaniax! - Arsonists
Underground hip hop from New York, this is taken from the rap crew's 1999 debut album As The World Burns. One more album, Date Of Birth, followed in 2001.


4. Paint Nothing - Idlewild

Before they found the folk, Idlewild were a pretty mean live proposition. Shambolic and messy live, Roddy Woomble spent half of their live sets crawling along the floor like a man possessed. This chaotic, yet compelling, start was captured in their debut mini-album Captain which gained not considerable support from Steve Lamacq himself to whom the band probably owe their entire career. Idlewild's rough edges were smoothed out more and more as the next 10 years unfolded, the first signs being their debut album Hope Is Important. Whilst not abandoning their edgy and angular sound completely, the album edged more towards a more commercial sound that would reap further rewards in later years. Paint Nothing is from that album.

5. Stuck On Me - Sukpatch

Electronic hip-hop from the Tie Down That Shiny Wave EP from the Beastie Boys' Grand Royale stable. Other Sukpatch releases were released on Sub Pop and Moshi Moshi amongst others.

6. Oi To The World - The Vandals

US pop punk band who formed in 1980 and have undergone various radical line up changes in their 30 year career despite an influence a new wave of 90s punk acts such as Green Day and The Offspring. Oi To The World was originally released in 1996 as part of the band's Christmas album of the same name. An album which contained a ditty entitled Christmas Time For My Penis of which we will say no more and move on - only to say this is an exclusive live session version so, Vandals completists everywhere, take note that man.

7. Bursting Off The Back Beat - Jacknife Lee

Early single from producer Jacknife 'Garret' Lee which reached #153 in the chart and taken from his debut album Muy Rico! Lee had modest success with subsequent albums, but much like his earlier incarnation as guitarist with the heavily hyped indie rockers Compulsion, his career failed to take off. Jacking in the solo albums, however, and concentrating on producing other artists seemed to do the trick though....his credits including recent output by U2, REM, Weezer, Snow Patrol and Kasabian.

8. Generator - Elastica

The build up and release of Elastica's 1995 eponymous album was huge and Justine Frischmann et al were seen as guiding lights in the thriving Britpop scene. Frischmann's relationship with Damon Albarn and the fact she was an ex-girlfriend of Brett Anderson, having once been a member of Suede, kept Elastica in the headlines. Despite accusations of plagiarism from both Wire and The Stranglers, the album reached #1. Then it all fell apart and the band disappeared, only to resurface in 1999 having undergone various line up changes. The result was a low key 6 track EP called, well. '6 Track EP' which acted as a document to what the band had been up to in their lost years prior to the release of their second, and final album, The Menace. The EP contained a Mark E Smith collaboration in How We Wrote Elastica Man and this, Generator. The version here is exclusive to this EP and was recorded  live at Reading in 1999. The track also featured in a re-recorded version on the second album.

9. Going Out - Vyvyan

Short-lived all girl indie group from the West Midlands who only released on single and one mini-album, Teenage Wannabes on the Sympathy  From The Record Industry imprint. They did have to time to record one evening session and this version of the album track is featured here.

10. Such A Rush - Coldplay

Hidden in the depths of this CD then are Coldplay whose Blue Room EP, featuring this track, was released to limited but widespread acclaim in 1999. The release gained support from Lamacq's Evening Session, hence their inclusion here,  and led to a co-headlining tour with Welsh band Terris, a set of dates heavily hyped by NME who proclaimed these two bands as the future of music in the 21st Century. Those who mock NME for making such a noise over Terris, who fell flat on their arse, seem to have forgotten that they had more success with their championing of Coldplay who went on to world domination. An early version of Such A Rush was included on Coldplay's debut Safety EP, currenty fetching a crazy £870.00 on Ebay. A copy of Terris' debut EP, The Time Is Now, described by NME as semi-legendary at the time, recently failed to sell on Ebay....for 49p. Better luck next time, lads.

11. Lamacqnaut 2000 - Frigid Vinegar

Novelty indie rap played to death on the Evening Session in 1999 under the original single release title, Dogmonaut 2000. This adapted version paying tribute to the host was performed on the Session and included here exclusively. Despite record label Rotator's website - still active - suggesting that Frigid Vinegar aka Alex Lusty, could soon be seen performing on CD:UK, it never quite happened...

12. Radio Beatbox - Hedrock Valley Beats

AKA D Declan McLaughlin who released several singles and 12"s under the Hedrock Valley Beats moniker at the start of the millenium. The sleeve notes here claim that it's taken from "the first release on Bright Star Records" in 1999. Was it also the last??

13. Sunburn (Session) - Muse

Another huge band making an early appearance. At the time of this evening session, August 1999, Muse had released 2 limited EPs one major single, Uno, which had scraped the Top 75 and their second, Cave, was just around the corner. Initially dismissed as the next set of Radiohead copyists to come and bite the dust, support for Muse grew and grew beyond their initial fanbase and, despite a slow start, their debut album Showbiz knocked up strong sales and produced three Top 40 hits including Sunburn, their first major hit when it hit #22 in early 2000. As Muse shed the Radiohead-lite sound of their debut and became louder, more progressive and more bombastic, they became one of the UK's biggest bands. This is the only place you'll legitimately find this version so it's essential for all Muse completists.

14. I Love Only You - Hefner

Perhaps the most indie of all late 90s indie bands, Hefner were active from 1997 -2002 and produced a raft of singles and EPs, four albums and a number of radio sessions, most notably for John Peel. Never destined for commercial success at any point, this is taken from their second album The Fidelity Wars which hit the Top 200 for a week at #165.

MELODY MAKER: THE MAKER'S DOZEN (1999)

"The Best New Homegrown Talent" according to Melody Maker. How did this lot fare then in the 21st Century then?

1. Daria - Chicks

From the EP 'Little Monkeys With Lots Of Money', this Irish girl punk pop band, a mini-Breeders if you will, were Melody Maker cover stars, played support for Manic Street Preachers and Sonic Youth and were signed by Dreamworks on a two album deal. Chicks soon fell apart and their much touted debut album "Chicks Do Philly" never hatched.

2. The Rock (No Handshakes Mix) - Delakota

Formed from the ashes of Senseless Things, Delakota were an indie-dance hybrid, a poor man's Primal Scream. Their debut album hit #58 and spawned three Top 75 hits including The Rock which hit#60. A decent start, but the band quickly disappeared. This remix, co-mixed by Tim Goldsworthy, was featured on the single.

3. Dope Slax - Seafood

Alt-punk band from London influenced by Sonic Youth. This track, an XFM session, appeared on their first album, Messenger In The Camp, a compilation of their early Fierce Panda EPs. The band went on to attain a cult following scoring a number of Top 200 entries over the next decade.

4. Uncle Benson - Ten Benson

Named after a packet of cigarettes, this comedy psychedelic/heavy metal outfit released a clutch of acclaimed singles and EPs in the late 90s recording a couple of Peel Sessions along the way. In 2002 they released an album called Satan Kidney Pie - enough said.

5. Into The Waves - Witness

The silliness of Ten Benson gives way to serious alernative Americana...from Wigan. The Verve-ish Witness (Nick McCabe was mates with them)were well received by the music press but a little too uninteresting for commercial success. Their two albums both hit the Top 75 but they soon faded away. This track was the AA side of their first single, along with Quarantine.

6. Why Did My Igloo Collapse? - Ooberman

From the Shorley Wall EP which was one of THE critics' favourites of 1998. After the EP's cult success Ooberman were the band most likely to in 1999. However, despite good reviews and a Top 40 single with Blossoms Falling, subsequent singles and their debut album The Magic Treehouse bombed. The band plodded on but Shorley Wall remained their crowning glory.

7. We've Gone Wrong - Llama Farmers

Greenwich indie-punk four piece who released a number of Top 200 singles and an album Dead Letter Chorus in 1998/9. This track acted as a B side to their biggest single, Big Wheels, which hit #67. They also released a single called Yellow in 1999 which was probably better than that Coldplay muck.

8. The Sad Witch - Hefner

Probably the 'indie-est' band of the late 90s. Singer Darran Hayman was particularly awkward looking, met his band mates at art school and played lo-fi indie folk rock that is destined to never climb higher than #50 in the hit parade. However, they attained a massive cult following recording 10 Peel Sessions in their six years together. This track is from their debut album Breaking God's Heart.

9. Closet Heroine - The Crocketts

Welsh rock band who tragically released an album in 2000 called The Great Brain Robbery. This one is from their debut album called We May Be Skinny & Wirey. V2 dropped them for crimes against album titles in 2001. Singer Davey McManus formed The Crimea soon after.

10. Wheelking 1973 - One Lady Owner

Glam-punks on Creation who hit the dizzy heights of #136 with this single in 1998. An album There's Only We and a couple of follow up singles also surfaced but it was soon to be bye bye One Lady Owner and not long after that bye bye Creation and Three Colours Red.

11. Choke Bore (Jeans Remix) - Scott 4

Indie-country fusion dubbed as 'electronic cowpunks'. Scott 4 met with critical acclaim, especially with their 1999 album, Works Project. This remix from a track on their 1998 Recorded In State LP first surfaced in 1997 as a promotional 12 inch making this the one true rarity on this compilation.

12. Lipstick, Cigarettes, Packet Of 3- Younger Younger 28s

A cross between The Human League and Shampoo singing an ironic song about getting drunk you say? How can this possibly fail to reach higher than #61? Because it sounds like this.

http://www.youtube.com/watch?v=dmNQIgIPGw8

Thanks to DF118 who gives more background to this down below...

NME: RADIO 1 SOUND CITY (1998)

1. Carrot Cake & Wine (Live) - Stereophonics

The only place to find the official audio of this, a live version of the track which originally appeared on the A Thousand Trees single. You can view the performance on the video/DVD Cwmaman Feel The Noize.

2. Kalifornia (Simon's Edit) - Fatboy Slim

Simon being presumably engineer and mixer Simon Thornton, this is an exclusive edit of the 'You've Come A Long Way Baby' album track, chopping off about a minute and a half.

3. Lipstick - Rocket From The Crypt

RFTC went from cult concern to Top 20 chart stars with the infectious On A Rope. Despite releasing the follow up When In Rome (Do The Jerk) as a limited edition picture disc to prove they hadn't fully sold out, they attempted the big time yet again with this pop punk blast. However, the single stalled at #64 and they became cult figures once again. This is an exclusive BBC session recorded for Radio 1's Evening Session on 16th August 1998.

4. Get A Real Tattoo - Six By Seven

Typically sprawling but magnificent 7 minute opus from Nottingham's criminally under-rated space rock group Six By Seven. The fact that this was merely a B side to their For You single shows how good their debut The Things We Make was, and is.

5. Root Cage - Tiger

Tiger's mullets and fuzzy indie sound were strange sight in 1996 but they secured an early following with John Peel and the music press with their debut single Shining In The Wood. Such was the love for them, their second EP Race even made the Top 40. But as soon as they came, they went, their album We Are Puppets thought by the majority as a disappointment. This was taken from their much delayed second album Rosaria which was finally released long after this compilation in May 1999. The band folded soon after.

6. Pull Yourself Together (Didjeridu Mix) - Hefner

A far cry from the Playboy Mansion, Hefner were a indie folk band from East London championed by John Peel. Never a friend of the charts, Pull Yourself Together was one of the band's more well known singles. This remix did the rounds on free CDs - this and another in Germany - and was finally released on Hefner product on their Best Of in 2006.

7. Hush The Warmth - Gorky's Zygotic Mynci

Where fellow countrymen Super Furry Animals became arguably, not just Wales', but the UK's most successful cult band of the 90s and beyond, Gorky's could never escape the trappings of cultdom. But, my God they tried. Seemingly, all their singles hovered around the 41-75 mark without breaking the magic #40 barrier. This is from their album Gorky 5, a #67 smash.

8. Kimberly - Clinic

This was taken from Clinic's single Cement Mixer and later appeared on their self titled rarities compilation before they signed to Mercury and sold about 58 more records...

9. Guacamole - Super Furry Animals

This uptempo blast of a tune was featured on SFA's B side compilation Out Spaced having appeared as an extra track on the If You Don't Want Me To Destroy You single. Not only is it ridiculous that songs of such quality festered as B sides but this was a last minute replacement for The Man Don't Give A Fuck when the infamous Steely Dan sample initilly failed clearance. Madness.

10. Spanner In The Works - Terrorvision

From the album Shaving Peaches which was a huge disappointment sales-wise for the Bradford rockers. They were down and out but were given a temporary and unexpected reprieve by the Mint Royale remix madness that was Tequila. When such an unstoppable juggernaut of a hit couldn't save the album, the writing was on the wall....

11. Harsh Shark - Campag Velocet

We heard from this lot earlier...this was recorded Live At Reading in 98. I actually saw this performance live - which isn't very interesting but probably the most interesting thing about it. The original turned up on the Bon Chic Bon Genre album a year later.

12. I Don't Know What To Say - Mogwai

Completely then-exclusive studio track from post rock masters Mogwai, a big deal at the time. This eventually reappeared on the 2008 reissue of their Young Team album

13. Are Friends Electrik (NME Edit) - Plastikman

Originally a twelve and a half minute techno track on the album Artefakts, and with no edit already existing, NME saw fit to edit it themselves to 7 and a half minutes. Odd, but exclusive and now rare. Nothing to do with Gary Numan, by the way.

14. Circles, Squares And Lines - Symposium

Everybody was on Symposium's side when they appeared in 1996 with a succession of pop punk indie hits. When they beefed up their sound and started to get serious, no-one seemed to care anymore. This is taken from their first album proper On The Outside. Funnily enough, it's their opening mini album One Day At A Time that contains the hits.

15. Be Myself - 3 Colours Red

Alan McGee said that 3 Colours Red were the most exciting band since the Sex Pistols. Anyone who might want to trace the downfall of Creation Records might want to start right there. This was an exclusive trailer for a track which ended up on their 1999 album Revolt.

16. Olympian - Gene

Forever compared to The Smiths, Gene's lush sound wasn't typical of the Britpop crowd of the mid to late 90s. They eventually burnt out and this, the title track of their debut album, remained their signature tune as its appearance here 3 years after its initial release testifies. This is an exclusive version recorded live at the Royal Albert Hall.