VOX: CLASS OF '96

1. Trash - Suede

Although not the first song to be recorded by Suede Mk2 - that was the fantastic New Generation B-side 'Together' - Trash was the band's big comeback after Bernard Butler's departure. Trash became an immediate anthem and hit #3 in the UK Chart becoming their biggest single in the process. Despite its classic status, Brett Andersom felt the need to re-record the vocals for the song's inclusion on their 2003 Singles collection so if you're listening to Trash on that compilation and you think it sounds different, that's why. This is the track in its original glory.

2. Smart Dogs - Kula Shaker

Enough time has passed to begrudgingly give Kula Shaker credit where its due. When Crispian Mills' outspoken, usually comical, attitude reached an excruciating climax with his Swastika flirtations, the music of Kula Shaker was written off as quickly as Mills and the band quickly became a byword for pretentious, bombastic indie music - their Hare Krishna leanings not helping their cause. But, whisper it, Kula Shaker weren't so bad at all, their psychedelic Indian-inflected rock has stood the test of time reasonably well, Smart Dogs being a highlight on their debut #1 album. The god-awful Deep Purple cover and inviting crazy old Arthur Brown  on to Top Of The Pops with a giant candleabra on his head didn't do them any favours after Swastika-gate and the band died a death. However, like most bands of the era who passed away, they found a way back and continue to plug away in Japan and Cumbria.

3. If You're Thinking Of Me (FPS-2 Lovesick Mix) - Dodgy

A huge crossover summer hit usually signifies the end of indie bands and Dodgy were no exception, their cause not helped by having a portly, comedy drummer. And, like most bands, they were misunderstood, Dodgy being one of the best indie power pop bands in the business with a wealth of singles-that-should-have-been-bigger to their name. They also had an experimental side, their B-sides regularly dabbling in their own take on remix culture. This almost resulted in their own remix album. FPS-2, the entire album Free Peace Sweet remixed by cohort Jerome Di Pietro. Despite the sleevenotes on this release indicating that the album would be released "sometime in 1997" with an explanation of how the album was made, it never saw the light of day as planned. It gained a belated release on the special edition of their singles collection Ace As & Killer Bs.

4. Oh Yeah - Ash

Oh Yeah was the fifth single to be lifted from the band's #1 album, 1977 but the only single to be released after the album itself. The track became the band's fourth Top 20 and second Top 10 hit charting at #6 - the same week, incidentally, that Kula Shaker charted at #4 with Trout Farm....sorry, Tattva....so blame Crispian Mills for robbing Ash of a second consecutive Top 5 hit.

5.  Things Keep Falling Off Buildings - Mansun

A track taken from the band's Three EP which provided Chester's finest with their first Top 20 hit charting at #19 in September 1996. The EP also contained lead track Stripper Vicar and An Open Letter To A Lyrical Trainspotter, both of which can be found on the classic debut Attack Of The Grey Lantern, the latter included as a hidden track at the end of the album.

6. Icicle - Tiger

The fickle world of indie...huge things were expected of Tiger. Their debut release Shining In The Wood gained huge support from John Peel and the Evening Session resulting in their second EP Race hitting the Top 40. And then, maybe it was the music press focussing on the band's mullets rather than the music, all interest sapped away. Subsequent releases only grazed the Top 75 and the album We Are Puppets, released to a muted reception, could only manage a chart placing of #108. A second album was released in 2000 but that's where the Tiger tale ends. This track was taken from their second single My Puppet Pal.

7. No One Speaks - Geneva

It's 1996 so of course there's a Geneva track on here...what did you expect? This was their much talked about debut single which cracked the Top 40 at #32. The band did have three more Top 40 hits but interest soon wore off. Andrew Montgomery's soaring choirboy-esque vocals proved too much of an acquired taste in the long run...which is why he must really hate Keane (like most people).

8. Woman Of The World - The Divine Comedy

The smallest man in rock, Neil Hannon, IS The Divine Comedy despite attempting to turn the Divine Comedy into a proper band over the years.  The album Casanova was released in 1996 and interest in Hannon had significantly increased since his previous album two years earlier thanks to him recording the theme tune to sitcom Father Ted and the legendary mock-Eurovision song My Lovely Horse as featured in the same show. This attention, and strong tracks such as Something For The Weekend and Becoming More Like Alfie, meant Divine Comedy finally broke through. This track is featured on Casanova.

9. Money (Lost In Space Remix) - Space

Money was the first single to be released from the band's debut album Spiders, a test release, presumably to gauge interest in the band. This remix, by Consolidated, is exclusive on CD to this release having originally been pressed on a four track limited 12" in 1996.

10. Hometown Unicorn - Super Furry Animals.

SFA released two EPs on the Welsh ANkst label in 1995 and were quickly signed by Creation who released this debut single in 1996. This release charted well at #47 before a record breaking run of Top 40 hits...as documented elswehere on TheFreeEPs. Hometwon Unicorn, a classic debut in every sense, was featured on the debut album Fuzzy Logic.

11. Christiansands (Imposter's Mix) - Tricky

After the huge success of Maxinquaye, Tricky made it clear that he was no record company puppet and no commercial artist by releasing that album's follow up under a pseudonym, Nearly God. The official follow-up Pre Millennium Tension was a dark, uncompromising release which scared off the majority of buyers who bought into the Maxinquaye era Tricky. The album's lead single, the moody and captivating Christiansands, made it clear from the outset that Tricky didn't care about commercial success. The single charted at #36 and the album only hit #30 though both are considered modern day classics. This version was remixed by the same Imposter who scored a Top 20 hit with Pills And Soap n 1983...one Elvis Costello.

POLYDOR PRESENTS...SOUNDS DOUBLE A SIDE (1986)

1. Back Door - Brian Spence

Brian Spence used to be in a band called Bilbo Baggins and another one called Chisholm And Spence. You'd never get names like that in 2011....youwouldn't really get a rock star called Brian Spence. Mind you, there wasn't one in 1986 or any year for that matter.  Back Door was taken from the great man's first solo album Brothers. The all round nice guy's (courtesy spencemusic.co.uk) also contributed to the not quite a blockbuster film P.I. Private Investigations with the single City Of Shadows. Spence's only chart action appeared in 1988 with his track Reputation which hit #78. However, the song had a second lease of life when it was covered by Dusty Springfield and appeared on her album of the same name. Released as a single it hit the Top 40 at #38. Well done Brian!

2. Know It All - Chris Sutton

In a long and illustrious career, Sutton played in midfield and attack for six clubs in the English and Scottish Premier Leagues including Norwich, Blackburn, Celtic and Chelsea. Not many people know that as a 13 year old boy, he also sang backing vocals for Smokey Robinson, supported James Brown and released several singles, including Prince Of Justice and Don't Get Me Wrong, and an eponymous album which all failed to chart. This may or may not be a case of mistaken identity, but the perm definitely belongs on a Division One football pitch.

3. Stephanie Says - The Velvet Underground

This trac first saw the light of day (legitimately) on the compilation VU in 1985, an album which contained a number of tracks originally recorded for what would have been the band's second release on MGM until they were booted off the label. Although not one of those specific tracks, Stephanie Says was an unreleased gem from the era and included on this release. Although unreleased, Lou Reed had recorded it and released it himself, albeit in a different tone, on his classic 1973 album Berlin renaming it Caroline Says II.

4. Here Comes The Style - Smiley Culture

Smiley Culture, aka David Emmanuel, released a clutch of acclaimed reggae singles in the mid-80s and was renowned for his unique fast-chat which mixed Jamaican patois with Cockney dialect. Two singles, Police Officer and Cockney Translation, sold well but the follow up album, Tongue In Cheek (25 years before Dizzee Rascal) fared less well as did the next single Schooltime Chronicle. Despite TV and film work, Culture faded away but has since been regarded as a major cultlural influence by the likes of Roots Manuva as pioneer in Brit Rap. Sadly, Culture earlier this year after a police raid gone wrong at his London home, but his contribution to Culture lives on.

MELODY MAKER: THE THE / THE SINES (1983)

1. Dumb As Death's Head - The The
2. Johnathon - The Sines

This free flexidisc came sellotaped on to the cover of Melody Maker 1983 and contained two tracks licensed to Cherry Red Records, the main draw here being the ultra rare The The cut.

Matt Johnson recorded his debut album Burning Blue Soul in 1981 under his own name (since reissued as an official The The album) and became one of the most captivating and darkest new wave/post-punk releases of its era. His first album under the The The name, the synth-noir classic Soul Mining was released two years later and came after a clutch of classic singles including Uncertain Smile and, recently covered by the Manics, This Is The Day.

In between these releases, Johnson recorded another The The album, intended to be the band's debut, The Pornography Of Despair. However, as the finishing touches were being put to the album, Johnson began to write the tracks for Soul Mining and the unmixed album was scrapped and remains unreleased to this day apart from a selection of tracks finding their way on to later B sides.

One of these tracks was Dumb As Death's Head and this double-tracker remains the only legit place to find this rarity. Very dark in tone, but adding a dash more colour to the icy soundscapes of Burning Blue Soul, this does indeed sound like the middle ground between his debut and the more accessible Soul Mining.

On to The Sines, and, well, let's start with The Slaves. The Slaves were a Teeside punk band formed by Gloria, a former member of punk "legends" Blitzkrieg Bop. When she quit, the remaining members stuck around and renamed themselves, yes, The Sines. This track remains the band's only release before they changed their name to Glory and released a single or two on Riva Records in the mid 80s.
Got all that?

THE SMASH HITS INTERVIEWS: FRANKIE GOES TO HOLLYWOOD (1985)

Released as a freebie with Smash Hits in 1985, this flexidisc, one of many given away with the magazine in the early 80s was released to promote with release of Frankie Goes To Hollywood's debut album Welcome To The Pleasuredome, one of the most hyped releases of the decade.

However, regular purchasers of ZTT's legendary Frankie product will have been more than used to the dulcet speaking tones of The Lads on the band's' B-sides.

One September Monday was the first example featuring on the flipside of 'Relax', Paul Morley in conversation with frontman Holly Johnson and Paul Rutherford. Swathed in sinister echoes, featuring manic laughs and accompanied by an eerie soundtrack, this genuinely gave this writer nightmares, Big Brother promising he'd taken it back to the shop to stop the terrors. The bastard lied to me but it meant he kept his copy of the Relax 7" so all was not lost. Time has been kind to One September Monday, its sinister edge still apparent today. The full transcript can be read here.

http://www.zttaat.com/track.php?title=72

This was followed up with One February Friday on the B-side of fellow million seller Two Tribes. This time, Morley chats with the other three, Peter Gill, Mark O Toole and Brian Nash. Less menacing in tone, the Lads chat about fame now they've reached the top and a good laugh is had by all. Parts of the interview also featured without the instrumental backing on the various Two Tribes 12 inches, at times linking the mixes of Two Tribes contained within. The sound of a giant raspberry at the end of this one meant it didn't stop me from hiding under the covers when the needle hit the groove.

http://www.zttaat.com/track.php?title=65

Finally, Holier Than Thou, an extra track on the 12" of the Christmas Number 1 that never was, The Power Of Love. This wasn't an interview and more the band larking about in the studio giving out a Christmas message to a million Frankie fans. Listen closely and you'll also hear producer Steve Lipson, then Frankie's engineer.

http://www.zttaat.com/track.php?title=224

NME EXCLUSIVES (2001)

OK not from the FreeEPs era but this one deserves a mention...so here's the pick of the bunch.

Another No One (Live) - Suede

Originally a B side to Suede Mk2's comeback single Trash, this is the only place you'll find this live version, recorded in Los Angeles  in May 1997. The original was also included on Suede's B side compilation Sci Fi Lullabies as well as the recent re-release of the album Coming Up as part of the band's reformation-celebrating reissue extravaganza.

Shotgun - The Charlatans

You can only be that well worn cliche - a 'survivor' - in the music world if you're prepared to move on and try something new but still have a sound you can call your own. This is why the likes of Manic Street Preachers, Primal Scream and indeed The Charlatans are still with us, Northern Uproar are not and why Cast's attempt at Blaxploitation funk failed dismally. Dismissed as Stone Roses copyists at their inception, Tim Burgess et al soon shed the burden of Brown and Baggy and ventured into classic rock territory, something they took a step further by embracing soul and funk sounds, complete with Burgess' new falsetto, on their seventh album Wonderland in 2001 whilst still retaining their indie rock groove. The new sound was most emphasised in this track omitted from the UK version and becoming what British fans loath the most - the Japanese bonus track. The only place to get this without forking out a small fortune was this compilation...until it became a bonus track on their next single A Man Needs To Be Told. The band have moved on since, further albums incorporating reggae, dub and New Order leanings...and they're something of a national indie institution.

Tides Of The Moon (Live) - Mercury Rev

A Mercury Rev Song On Compilation Not From Deserter's Songs Shocker! Mercury Rev took the Deserter's Songs template and took it to new lush, cinematic lengths for their next single All Is Dream. Some found it a bit too sweet but it remains another high watermark for the band. This live version of the album track found its way onto the Dark Is Rising single package. It was recorded live at the 2001 Reading Fesival

Party Hard (Live) - Pulp

Recorded live in Switzerland nearly exactly ten years ago in July 2001, this remains an exclusive 6 minute version of the This Is Hardcore album track and single from 1998. Although a band who refused to stand still musically, no-one could blame Pulp for calling it a day in 2002....huge success followed a torturous 13 year rise to fame, from there followed Jarvis Cocker's meltdown and the dark Hardcore album completely at odds with the more anthemic nature of their breakthrough material. Alienating the kids, their final, hugely undervalued album We Love Life was met with shrugs by the masses and the end was nigh. Nearly ten years later, they're back!  Party Hard reached #29 in 1998.

Fever (Live Acoustic) - Starsailor

This is the only place you'll find this take of Starsailor's top 20 debut single, recorded for Nemone in the Radio 1 Live Lounge. One of the many post-Britpop bands to be hyped and flounder with half a decade, Starsailor are currently on the dreaded "hiatus" after each of their albums has steadily fared worse than the previous one. Despite this, Wigan's second most successful band have had ten Top 40 hits in the UK.

Coming Second (Live) - Elbow

And another live exclusive for Elbow completists, of which there are many after five straight both commercially and critically acclaimed albums. This was featured on their first, Asleep In The Back and was released as the fourth single from the album as a AA side along with the then-new track also called Asleep In The Back which was added to later editions of the parent album. It charted at #19 and remains their joint highest charting single to date along with Fallen Angel and Grounds For Divorce. Oddly, despite being used in every television programme ever made in the last few years and spending 35 weeks in the UK Chart, their most famous record One Day Like This has never made it past #35.

The other tracks on this EP are: Woah! - So Solid Crew, Dreamy Days (Lotek  Bonanza Relick) - Roots Manuva, Rock N Roll Star (Live) - Oasis, Avril 14th - Aphex Twin, New Instrumental (Live) - The Music, Saigin Disco (Live) - ARE Weapons, Ride Wit' Us (Remix) - Kurupt, Shadows Fall - The Coral, Drop The Hate (Laid Remix) - Fatboy Slim, Right Here (Club Mix) - Stanton Warriors

NME: PRICELESS CREATION (1999)

From 4AD to a celebration of Alan McGee's iconic Creation label...

1. Acquiesce - Oasis

The band that saved Creation, Oasis were one of those rare bands that became so huge that their B sides often gained as much attention as their A Sides. This was perhaps their most famous example and the Acquiesce's status is now arguably greater than it's A Side, Some Might Say, which became the band's first #1 n 1995. Acquiesce was released as a promo single in anticipation of Oasis' B-Side compilation, The Masterplan, in 1998, and, confirming its classic status, was put out again as the lead single of the Stop The Clocks EP in 2006, a precursor to the collection of the same name. It seems Acquiesce was never destined to be a hit in its own right though; the length of the EP meant it was ineligible for the UK singles chart denying it a place in the Top 5.

2. Star - Primal Scream

Or not, as we'll see in a moment...

Primal Scream released two singles in a month in May 1997 to promote their masterpiece Vanishing Point. Perversely the first release, the massively uncompromising electro-dub racket Kowalski fared better in the charts, hitting #8, than the more commercial, by the Scream's standards, Star, which stalled at #16 despite extra airplay and performances on TV. Hailed as a return to form after the Stones-aping Give Out But Don't Give Up, Vanishing Point charted, like its predecessor at #2. To this day, Primal Scream are defined by the pioneering Screamadelica, yet it's this album that remains their best and most satisfying release to date.

Some months after Vanishing Point's release came Echo Dek, a dub overhaul of the entire album remixed by Adrian Sherwood. One of the tracks, Revolutionary, was a reworking of Star and it's this version that appears on this Free EP despite the credits suggesting it should be the original version.

3. Soft As Snow (But Warm Inside) - My Bloody Valentine

Although the early 90s shoegazing movement took inspiration from early to mid 80s bands such as Cocteau Twins, Jesus & Mary Chain and This Mortal Coil, it's My Bloody Valentine, led by Kevin Shields, and their first album Isn't Anything, who are credited with kickstarting the movement. The album, kicking off with this track, with its droning, psychedelic trance-like take on indie rock, spent 17 weeks on top of the indie chart and spawned a myriad of copycat bands. Ironically, it was the band's second album, Loveless, that helped kill shoegaze. It was so good that it made the work of every other shoegaze band seem very old hat very quickly and the music press soon moved on to pastures new. Always destined to be a critical rather than a commercial success, the crazy amount of money spent on producing Loveless typifies the madness surrounding Creation at the time and, never mind shoegazing, the album nearly killed off the label.

4. Mellow Doubt - Teenage Fanclub

Despite nearly going to the wall, 1991 was a good year for Creation Records Product. As well as Screamadelica and Loveless, there was Bandwagonesque, Teenage Fanclub's third album, a massive crirtical and modest commercial success. After the relative of failure of the follow up Thirteen came Grand Prix in 1995 which became the band's biggest success to date hitting the Top 10. Although little to do with "Britpop", their chiming Big Star and Byrds-esque guitars and melodies sat well in the climate and the album spawned two Top 40 hits, Sparky's Dream and this, which hit #34. Despite achieving their greatest successes in this era, and referenced by many as influences, Teenage Fanclub were one of the era's great underachievers and despite further minor hits, never properly broke through unlike those they had influenced - see Travis.

In a late twist, in 2004 an episode of The Bill aired on ITV and featured four characters - Norman Blake, Raymond McGinley, Paul Quinn and Gerard Love. Teenage Fanclub may not have sold a million in the UK, but several million probably watched this. Sadly, only about 7 people realised the scriptwriter's little in-joke...

5. Free Huey - The Boo Radleys

Never has a band, with the possible exception of Cornershop, been so misunderstood by the mainstream media and general public than the Boo Radleys, forever associated with one piece of music. You know the one. Sadly, that track, despite hitting the Top 10, earning songwriter Martin Carr enough money to retire on and spawning a #1 album was a pyrrhic victory. By the time the band released the noisy, experimental and frankly brilliant follow up, C'Mon Kids a year later, the older fans who had been captivated by 1993's magnum opus Giant Steps and earlier feedback drenched noise rock classics had ungraciously moved on after their commercial success and the new fans just didn't get it expecting Wake Up Boo Mk2. The result was the biggest shame in 90s music as, despite three Top 40 hits, the album stalled at #20 and disappeared after only a couple of weeks in the chart. Knocked for six, the band recorded their sixth album Kingsize featuring less experimentation and more structure and melody. Told by Creation to record two commercial singles before the album could be released, Carr came up with the stellar title track and this, Free Huey, which was released as the album's lead single. A risky single incorporating big beats and a shouty chorus, which accounted for two thirds of the song, it bombed and charted at a lowly #54. After the album disastrously peaked at #62 a couple of weeks later, the band called it a day leaving the second single, the title track unreleased. A soaring, anthemic track, if this had been the lead single, it could have saved them. A lost classic indeed. A rare 5 track promo of what would have been the tracks spread across 2 CD singles does exist and this counts as the final Boo Radleys release in the band's lifetime.

6. This Is My Hollywood - 3 Colours Red

3CR were much derided, mostly thanks to Alan McGee's over the top hyperbole when he announced that they were the most exciting band since the Sex Pistols. What he failed to mention was that 3CR were a pretty perfunctory punk rock band. Still, McGee's hype helped them achieve 4 Top 40 hits from their debut album Pure. This Is My Hollywood was the band's first release on the Fierce Panda label in 1996 and was re-released as the fifth single from the debut album in 1997 where it stalled at #48.

7. Love Is Blue - Edward Ball

Former Television Personalities frontman Ed Ball must have been a good friend of Alan McGee who let him release a bunch of albums as Love Corporation on the imprint throughout the 90s. When it was finally decided that Ball should trade on his own name, all the stops were pulled to make sure he finally achieved the success McGee felt he deserved. Despite much promotion including saturation on the ITV Chart Show  with videos featuring the likes of Anna Friel and Noel Gallagher, the campaign failed. Four singles were released from the album Catholic Guilt, only two of which reached the Top 100 including Love Is Blue which hit #59. The album failed to scrape the Top 200 and Ed stopped trying to be famous.

8. JC Auto - Sugar

Following the break up of the hugely influential Husker Du, frontman Bob Mould formed Sugar and had immediate success with their classic debut Copper Blue which hit the UK Top 10. Not all the tracks recorded for the Copper Blue sessions were included on the album, the heavier material held back for an EP release the following year. The EP, Beaster, did even better reaching #3 in 1993. The album being loosely based on religious imagery, JC Auto is short for Jesus Christ Autobiography. Sugar recorded one more album, File Under Easy Listening before Mould went solo.

9. Cracking Up - The Jesus & Mary Chain

JAMC were among the first signings to Creation and in 1984 released their infamous debut single Upside Down. The sound of this, and their debut album Psychocandy, set a new template for a new generation of indie bands where feedback and noise were of equal importance to the tune - this manifested itself in the shoegaze movement kickstarted by My Bloody Valentine. Despite not charting, Upside Down sold consistently and was a major success story for Creation. On the back of this, the band were signed to blanco y negro where the band stayed for the next decade. Always on the brink of implosion, the band had one more album left in them before they would self destruct and who better to pick it up than Creation where it all started. The writing was on the wall though. Cracking Up was the comeback and the album's lead single and hit #35. The poppier I Love Rock N Roll similarly only scraped the Top 40 and the album Munki only scraped the chart at #47. A decade later, they'd be back....

10. Gathering Moss - Super Furry Animals

The last great band to sign to Creation, SFA released their debut album Fuzzy Logic in 1996 featuring this track. Never a band to be categorised, SFA started life as a techno band - roots which have never gone away -  before picking up their guitars and releasing two effervescent EPs on the Ankst label before releasing their debut single Hometown Unicorn on Creation. Although this just missed the Top 40, they'd have no trouble with their next 19 proper single releases which all charted in the 40. Trouble is, they also set themselves an unwanted record; SFA became the band to have the most Top 40 singles - twenty - without ever reaching the Top 10. The closest they got was their 1999 single Northern Lites which reached #11 and they've also hit #s 12, 13, 14, 16 and 18.

4AD (UNCUT 1998)

19-Track retrospective of the now 30-year strong British independent label 4AD.

1. Debaser - Pixies

Released as the opening track  on Pixies' second album Dolittle, Debaser, whilst never released as a single, became an indie dancefloor classic for the next two decades. On the release of band retrospective Death To The Pixies in 1997, Debaser was chosen for release as a single for the first time and hit #23 in the UK chart.

2. Hypocrite - Lush

In 2001, Manic Street Preachers hit the headlines for releasing two singles on the same day. This was reported as an industry first. It wasn't. In May 1994, Lush also did this for much the same reason as the Manics, showcasing two sides to the band's music (though not the first band to do this...) Desire Lines was a 7 and a half minute atmospheric slab of  noise rock; Hypocrite was the first signs of the band shedding their shoegaze roots and heading into a more indie-rock sound they would perfect on their 1996 album Lovelife. Both singles reached the Top 75, Hypocrite being the most successful hitting #52, and comes from the album Split.

3. Go Lady Go - Mojave 3

Formed from the ashes of early 90s shoegazers, Slowdive, Mojave 3  released five albums between 1995 and 2006,  picking up considerable praise from the music weeklies on their way. This track was taken from their most successful single, Some Kinda Angel, which charted at #101 in 1998.

4. Lantern - Tanya Donnelly

As singer and guitarist in three of the most critically acclaimed American indie bands in the 80s/90s, Throwing Muses, The Breeders (for one album) and Belly, Tanya Donelly's future as a cult solo recording star was assured. On the back of this success, Donnelly's first solo album, Lovesongs For Underdogs, featuring this track, hit #37 in the UK. Though sales slowed down over the next few years, Donelly's status as one of the USA's most respected alternative female singer-songwriters is undiminished.

5. Wish I Had A Wishing Ring - His Name Is Alive

Experimental rock from Michigan held together by Warren Defever. A cult concern, the band have released 10 albums and a host of singles in a 20 year career on 4AD. This is taken from the 5th album Fort Lake. A 13 minute version also appears on their single, Can't Always Be Loved.

6. Mania - Throwing Muses

Throwing Muses were one of the most influential American independent bands of their time and were one of the first to deploy two girls at the forefront of the band, the aforementioned Tanya Donelly and Kristin Hersh. Despite Donelly's departure in 1991, Hersh stayed with the band until their split in 1997 and their subsequent reunion. This is taken from their third album in 1989, Hunkpapa, which hit #59 in the UK.

7. You And Your Sister - This Mortal Coil

This Mortal Coil wasn't a band as such - it was more of a collective of 4AD's finest acts brought together by label boss Ivo Watts-Russell. The project spawned three albums, their most well known moment coming in 1984 with the interpretation of Tim Buckley's Song To The Siren featuring Cocteau Twins' Liz Frazer on ethereal vocal duty. This track was featured on their third and final album Blood, featuring Breeders'/Pixies guitarist and singer Kim Deal and, who else, Tanya Donnelly.

8. Shaolin Satellite - Thievery Corporation

Thievery Corporation's mix of lounge, dub and World music has kept them this duo going for 7 albums in a 16 year career. Shaolin Satellite was their first 12" single and was featured on their debut album, Sounds From The Thiery Hi-Fi, in 1997.

9. Barry (Gi Gi Galaxy Remix Edit) - Gus Gus

Icelandic electronic band with eight albums under their belt. Barry was featured on their eponymous debut album released in 1995 under the name Barry (White Pride) and was re-recorded for their breakthrough international album Polydistortion. The full length version of this remix was released as a 12" in 1997.

10. Urban Light 12am - Cuba

Big beat featuring former Chapterhouse drummer Ashley Bates. This is the 12" version of the band's debut single in 1998 (the single version was called Urban Light 7am) Their debut album, Leap Of Faith, was released in 1999 by which time they had changed their name to Air Cuba. Chapterhouse wasn't their only shoegaze connection; other band member Christopher Andrews was married to Slowdive's Rachel Goswell.

11.  Unofficial World Cup Theme - Colourbox

English electronic group active between 1982 and 1987. This track was released in 1986 as a single on the same day as another Colourbox single, their cover of Augustus Pablo's Baby I Love You So, thus beating Lush and the Manics into the record books. Although the track was considered for consideration for the BBC's World Cup coverage for the 1986 Mexico World Cup, it eventually lost out to Aztec Lightning by Heads. Colourbox dissolved after they achieved international success with their collaboration with AR Kane. The names may not be so familiar but the single will be...it was named Pump Up The Volume under the pseudonym M/A/R/R/S....

12. Saints - The Breeders

Pixies and Throwing Muses singer and guitarists Kim Deal and Tanya Donelly (her again) formed The Breeders in 1998 with Deal's sister Kelley. Donelly left after the release of their  debut album, Pod, to concentrate on her next band Belly and success soon followed with their second album Last Splash which hit the Top 5 in the UK. Along with the classic Cannonball, the album featured this track which was released as a single in the US and parts of Europe.

13. Big Jesus Trash Can - The Birthday Party

Early 80s dark, Gothic post-punk fronted by a young Nick Cave who, despite little commercial success, influenced a generation of post punk acts over the next decade.  This was taken from their album, Junkyard, which hit #73 in the UK in 1982.

14. Tomorrowing - Lisa Germano

Critically acclaimed alternative American singer-songwriter who has released ten albums in a career spanning twenty years.  This was taken from her 1998 album, Slide, her last for 4AD. Germano is also a session musician of some repute and has appeared on albums by Simple Minds, Eels, Iggy Pop and David Bowie.

15. New Jersey - Red House Painters

San Franciscan alternative rock group who confusingly released two eponymous albums in 1993. This was taken from the first, widely known as Rollercoaster due to the album's cover art. The second, for the same reasons, is known as Bridge. After six albums, the band called it a day in 2001.

16. Your Ghost - Kristin Hersh

Although still leader of the reunited Throwing Muses, Hersh has had a successful 8 album solo career. This song started it all and was released as the first single from her first album Hips & Makers in 1994. A combination of her Muses background, a vocal contribution from Michael Stipe and an unexpected topless photo shoot in NME helped this become her most successful single in the UK, though just missing the Top 40 at #45

17. American Dreaming - Dead Can Dance

Ethereal, ambient, neo-classical dream pop, or something like that, from Australia. The band released seven albums between 1984 and 1996, this track featuring on their 1994 live album Toward The Within.

18. Sweet Unknown - The Hope Blister

Much like This Mortal Coil, The Hope Blister were formed by 4AD's own Ivo Watts-Russell though this time with a steady line up and focusing on cover versions. This is from their 1998 album ...smile's OK. Sweet Unknown was originally recorded by Cranes on their 1997 album Population 4.

19. Pearly Dewdrops' Drop - Cocteau Twins

The forefathers of the kind of Gothic dream pop that litters this compilation, Cocteau Twins aka Liz Fraser, Simon Raymonde and Robin Guthrie were together for nearly two decades until their dissolution in 1997. Critically acclaimed and commercially successful, Cocteau Twins scored 8 chart albums and released a number of charting singles and EPs. This is the 7 inch version of Pearly Dewdrops' Drop taken from their Spangle Maker EP which became the band's highest charting single in 1984. Those unfamiliar with the Twins' output may know Fraser's vocals from the single version of  Future Sound Of London's Lifeforms and, most famously, Massive Attack's Teardrop.